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Monthly Archives: December 2012
Vanessa Place’s “Miss Scarlett”
Over on the Poetry Foundation, The Harriet Blog has a write up of my recent post on Vanessa Place’s “White Out” of Gone with the Wind. The Harriet Blog also notes Place’s current retyping of the novel on Twitter, and … Continue reading
On not repeating Gone with the Wind
Brian Reed opened his excellent essay on “Postmillennial Poetry and Redirected Language” with a discussion of Vanessa Place’s “Miss Scarlett,” and Place is currently broadcasting Gone with the Wind tweet by tweet through her Twitter feed. But Place has also … Continue reading
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Tagged Brian Reed, Gone with the Wind, Margaret Mitchell, Vanessa Place
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Poetry and Piracy: Copyright and Poetic Licence
Here is a video of a talk I gave recently on copying, copyright, and contemporary poetry with reference to Kim Dotcom, Socrates, Plato, print culture, Hegel, Mitt Romney, J.D. Salinger, Monty Python, Charles Dickens, Richard Prince, Kenneth Goldsmith, Simon Morris, … Continue reading
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Tagged poetry, Vanessa Place, conceptual writing, iterative poetics, iteration, copyright, intellectual property, Jonathan Stalling, Simon Morris, Freud, Richard Prince, Kim Dotcom, Jack Kerouac, Plato, J.D. Salinger, Margaret Mitchell, Gone with the Wind, The Wind Done Gone, Alice Randall, free trade agreements
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Prigov and Tarasov in Performance
Today on Jacket 2, I am delighted to present a guest post from Gerald Janecek on the work of the conceptual artist and writer Dmitri Prigov, whose work is the focus of one chapter of A Common Strangeness. Some time ago, … Continue reading
Save 30% on A Common Strangeness
Fordham University Press is currently offering a 30% discount on all its books, including A Common Strangeness, which can be purchased here for only US $18.20 until the end of the year. The same discount will be available in January … Continue reading
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Tagged A Common Strangeness, Fordham University Press, Jacob Edmond, MLA
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Sean Bonney’s iterations
I’ve just added a new post to my Jacket2 commentary. Today’s post is on Sean Bonney’s rewritings of Baudelaire and Rimbaud and the possibility of a revolutionary poetics of iteration. I also compare Bonney’s rewritings to those of Christian Bök. … Continue reading
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