Gertrude Stein and the iterations of the book

stein rose sealMy new post on Jacket2 begins:

In our digital age, the printed book is often seen as resisting the immateriality and inauthenticity of the digital text through its “aura,” “singularity,” “authenticity,” “materiality,” and “bookness”––to cite some key terms from a conference on the future of the book that I attended last year. Even book versions that sit alongside versions in other media . . . seem to stress the differences between the book and digital media and so each medium’s materiality.

Yet in a range of poetic practices developed in response to the age of mechanical reproduction and to our digital age, the book becomes a site for exploring––rather than resisting––reproduction and iteration.

Read more here.

About Jacob Edmond

Jacob Edmond is an Associate Professor in the Department of English at the University of Otago, New Zealand. He is author of A Common Strangeness: Contemporary Poetry, Cross-Cultural Encounter, Comparative Literature (Fordham UP, 2012). His articles have appeared in journals such as Comparative Literature, Contemporary Literature, Poetics Today, The China Quarterly, the Slavic and East European Journal, and Russian Literature. He is editor (with Henry Johnson and Jacqueline Leckie) of Recentring Asia: Histories, Encounters, Identities (Brill / Global Oriental, 2011), and editor and translator (with Hilary Chung) of Yang Lian’s Unreal City: A Chinese Poet in Auckland (Auckland University Press, 2006). For more, see: http://www.otago.ac.nz/english/staff/edmond.htm http://otago.academia.edu/JacobEdmond https://commonstrangeness.wordpress.com/
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