Tag Archives: Jonathan Stalling

Poetry, Theory, and the Chinese Room in Sydney

Posted on November 5, 2013 by Jacob Edmond

I’m very excited to be travelling to Sydney this Friday for a symposium on “The Theory and Practice of Poetry” at the University of Western Sydney. Convener Gavin Smith has put together an exciting lineup of speakers, including Tom Lee, … Continue reading →

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Jonathan Stalling reviews A Common Strangeness

Posted on April 7, 2013 by Jacob Edmond

Jonathan Stalling has reviewed A Common Strangeness for Modern Chinese Literature and Culture. The review begins: To begin with, Jacob Edmond’s new book, A Common Strangeness, is anything but common and signals what I hope will be a new trend … Continue reading →

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Iteration and Jonathan Stalling’s Yíngēlìshī

Posted on January 11, 2013 by Jacob Edmond

“Like Place’s iterations of Gone with the Wind, Jonathan Stalling’s Yíngēlìshī 吟歌丽诗 also takes as its impetus the copying of another text and also addresses racial stereotyping and the negative attitude toward accents and dialects of English that differ from … Continue reading →

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Poetry and Piracy: Copyright and Poetic Licence

Posted on December 12, 2012 by Jacob Edmond

Here is a video of a talk I gave recently on copying, copyright, and contemporary poetry with reference to Kim Dotcom, Socrates, Plato, print culture, Hegel, Mitt Romney, J.D. Salinger, Monty Python, Charles Dickens, Richard Prince, Kenneth Goldsmith, Simon Morris, … Continue reading →

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