Tag Archives: the book

Burnt Copies

Posted on March 12, 2013 by Jacob Edmond

The final post in my Jacket2 commentary on “Iterations” takes a very local turn. Like Prigov’s Little Coffins, New Zealand artist Campbell Walker’s 2012 work The Crime LINKS in the Smoke is an undead work that plays on the print book … Continue reading →

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Unpacking iterations in Walter Benjamin

Posted on January 28, 2013 by Jacob Edmond

Walter Benjamin is perhaps the writer we most commonly associate with the recognition of the changes induced in the work of art by the “age of mechanical reproduction” in the modernist period. In that essay, Benjamin’s focus is primarily on … Continue reading →

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Gertrude Stein and the iterations of the book

Posted on January 24, 2013 by Jacob Edmond

My new post on Jacket2 begins: In our digital age, the printed book is often seen as resisting the immateriality and inauthenticity of the digital text through its “aura,” “singularity,” “authenticity,” “materiality,” and “bookness”––to cite some key terms from a … Continue reading →

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