Vanessa Place and the AWP

Contrary to the AWP’s statement regarding the removal of Vanessa Place from the AWP Los Angeles 2016 subcommittee, Place’s tweeting of Gone with the Wind is not “explained” in my pieces on Jacket2. (I cite but don’t discuss the twitter feed.) I do discuss other works by Place that draw on Gone with the Wind, but my commentaries are hardly an endorsement: “a performance of that racist ideology’s stifling of other voices” (; “a white author, repeating this caricatured imitation of black speech” ( Place’s Gone with the Wind work is about racism in US literature and society. But that doesn’t stop it from being racist and offensive. Those who defend Place miss the point. Place’s work rightly provokes outrage; it therefore also garners attention. The question is: is this attention to racism or to Place? (For a very smart analysis of race, social media, and the attention economy in the US today, see Justin Simien’s Dear White People.)


About Jacob Edmond

Jacob Edmond is an Associate Professor in the Department of English at the University of Otago, New Zealand. He is author of A Common Strangeness: Contemporary Poetry, Cross-Cultural Encounter, Comparative Literature (Fordham UP, 2012). His articles have appeared in journals such as Comparative Literature, Contemporary Literature, Poetics Today, The China Quarterly, the Slavic and East European Journal, and Russian Literature. He is editor (with Henry Johnson and Jacqueline Leckie) of Recentring Asia: Histories, Encounters, Identities (Brill / Global Oriental, 2011), and editor and translator (with Hilary Chung) of Yang Lian’s Unreal City: A Chinese Poet in Auckland (Auckland University Press, 2006). For more, see:
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